Biography
Canadian Soprano Brittany King brings a captivating presence, drawing attention with her remarkable versatility across various styles, languages and performance mediums. Described as “vibrant”, “angelic” and “first-class” by Charles Hutch Press (York), Brittany has appeared in traditional opera, oratorio, and recital stages in Canada and the UK and on digital platforms accessible worldwide.
In recent seasons, Brittany had the privilege of performing as a featured soloist at some Magnificent Cathedrals such as Salisbury Cathedral, York Minster Cathedral, Coventry Cathedral, Exeter Cathedral among other concert halls. With her compelling performances in Brahms, Faure & Haydn’s requiem, Handel's Messiah and Bach, Brittany was beginning to build her reputation as a sought after Soprano in the United Kingdom.
Brittany’s 2024 season included services at St. Paul’s Cathedral, recital programs at Blackburn, Derby + Bristol Cathedral and concerts at Worcester Cathedral and Tewkesbury Abbey. The 2025/2026 season is taking shape to include Bach’s St Matthew Passion and Beethovens 9th.
In Canada, Brittany’s notable performances include Schubert’s Benedictus - Mass in G major (TEMC), Bach’s Magnificat (Durham Philharmonic and Orchestra), and Saint-Saëns Symphony No.3 (Toronto Concert Orchestra and TEMC.) She performed Orff’s Carmina Burana (Wilfrid Laurier University and MOTUS O Company) and Gorecki’s Symphony No.3 (Waterloo Collegiate Institute String Orchestra). She was a guest soloist during the pre-show at the Manitoba Opera House.
Equally at home as an operatic artist, Brittany debuted with Toronto Operetta Theatre as Pitti-Sing in Gilbert & Sullivans' The Mikado (Sony Centre Toronto.) Other roles include Blanche from Poulenc’s Dialogues of the Carmelites, Sister Genovieffa in Puccini’s Suor Angelica (Opera NUOVA and Oshawa Opera), and Despina in Mozart’s Cosi fan Tutte (Opera by Request - Toronto.)
Formerly based in Toronto, Brittany recently moved to the UK, where she makes her home with her family.
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